Storybook Margin Deck

見開きには物語を、余白には技を。

AIが絵本デッキのデザイナーになります。あなたの絵本のピッチをスライドデッキに変え、すべての見開きで全面イラストと、メモ、ナレーションのキュー、アートディレクションのための広い注釈余白を組み合わせます。

こんな方におすすめ

イラスト付き物語をピッチする絵本作家、イラストレーター、ストーリーテラーの皆さま

所要時間

~45分

レベル

中級

3ステップでインストール

登録不要。CLIツールも不要です。お使いのAIを選んで、1行コピーして貼るだけです。

Pro — 全511件のスキル

ご自分で入れたい場合は、スキルを購入（$4.99）し、購入完了画面からZIPをダウンロードして、上のディレクトリに展開し、AIのセッションを再起動してください。結果は同じです。すでに購入済みの場合は、AIアシスタントにダウンロードしてもらうこともできます。

パックの内容

SKILL.md（手順書）1点とスターターテンプレート1点が入っています。プレビューはこちらです：

Storybook Margin Deck

When to use

You're pitching a picture book to a publisher and the deck itself should feel like the book
An illustrated story needs a presentation format where art direction notes live beside the art, not in a separate document
You're presenting a children's story concept to teachers, parents, or a review panel and want them to see story and craft together
A storyboard or animatic pitch needs room for timing, sound, and camera notes on every spread
You're workshopping a story and want feedback on both the narrative and the visual decisions, side by side

Workflow

Collect the story spine (input: your manuscript or outline → output: spread-by-spread beat sheet)
Break the story into spreads — one spread per beat, not per page of text. Each beat gets one sentence of story ("Milo loses his kite over the wall") and one sentence of feeling ("lonely, then curious"). If a beat can't be summed up in two sentences, it's two beats. The beat sheet is the deck's skeleton: every later step hangs off it, and cutting a weak beat here is ten times cheaper than cutting a finished slide.
Design the margin system (input: beat sheet → output: margin rules)
Fix the margin before designing any slide: one wide outer margin (about a third of the slide) reserved for annotations, in a paper tone that contrasts with the illustration area. Define three annotation kinds and give each a marker — narration cues (what the reader hears), art direction (palette, composition, character blocking), and production notes (page turn, trim, bleed). One margin, three markers, no exceptions — the moment annotations sprawl into the art area, the storybook illusion breaks.
Lay out the spread rhythm (input: margin rules + beat sheet → output: full slide sequence)
Alternate spread types so the deck breathes: full-bleed illustration spreads for emotional peaks, split spreads (art left, margin wide) for setup and transitions, and quiet text-led spreads for page-turn beats. Never run three full-bleed spreads in a row — the eye stops registering scale. Place the page-turn moments deliberately: the beat before a turn should end on a question the next spread answers.
Write the margin annotations (input: slide sequence → output: annotated deck)
Write annotations as short, specific directions a real illustrator or narrator could act on: "Kite string leads the eye top-left to bottom-right" beats "make it dynamic." Keep each annotation to one or two lines. Cut any annotation that merely restates what the art already shows — the margin earns its space only when it adds information the illustration can't carry alone.
Polish and export (input: annotated deck → output: presentation-ready deck + print check)
Read the deck twice: once as a reader (cover the margins, does the story land?) and once as a maker (cover the art, do the notes form a coherent production plan?). Check that illustration captions, character names, and palette notes stay consistent across spreads. Export a presentation version (margins visible) and, if the pitch is printed, a trimmed version that keeps margins readable at print size.