Was ist enthalten

Eine SKILL.md (die Anleitung) + eine Startvorlage. Eine Vorschau:

Raw Ink Storyboard

When to use

• You have a video script and need to see it before shooting — framing, pacing, and transitions, not just words on a page
• A client or collaborator keeps misunderstanding the shot you described, and a quick sketch would settle it in seconds
• You're planning a short film, ad, explainer, or music video and need a board the crew can carry on set
• Your animation or motion project needs key poses and camera moves locked before expensive frames get drawn
• You want a storyboard with a handmade feel — rough, energetic, honest about being a sketch — instead of polished renders that pretend the shoot is already done

Workflow

1. Break the script into beats (input: script → output: beat list)
   Read the script and mark every change that needs a new frame: a new shot, a camera move, a significant action, or a line of dialogue that changes the framing. One beat = one frame, with a rough duration ("~3s") and the script line it covers. A 60-second spot usually lands at 12–20 beats; a three-minute short at 30–50. If a beat needs two frames to be understood, split it — a board that confuses the crew is worse than a board with extra frames.
2. Sketch each frame in raw ink (input: beat list → output: ink frames)
   Each frame is a rough 16:9 box drawn in loose pen strokes: a horizon line, the subject as a few gestural lines, and wash shading for mass and shadow — never a polished illustration. Keep the same hand throughout: same line weight, same wash density, same level of roughness. Draw what the camera sees, not what the scene "is": if the shot is a close-up, the frame shows a face filling the box, not a full figure with a circle around the face. Leave the inside of the frame for the image and put all words outside it.
3. Annotate camera and sound (input: ink frames → output: annotated frames)
   Under each frame, write four short notes and no more: CAMERA (shot size + movement, e.g. "Wide, slow push-in"), ACTION (what happens, one line), DIALOGUE / SOUND (the line or the sound cue), and TRANSITION (cut, dissolve, whip pan, match cut). Use arrows inside the frame for camera and subject movement — a red or accented arrow reads instantly against black ink. If a note needs more than one line, the shot is doing too much; split it or simplify it.
4. Sequence and timing pass (input: annotated frames → output: timed board)
   Lay the frames in order and read them as a film: does the eye travel smoothly from frame to frame, do the shot sizes vary (wide → medium → close, not six wides in a row), and does the total duration match the script? Mark pacing explicitly — hold frames that should linger ("HOLD 2s"), flag fast cuts with a slash. Cut any frame that repeats information the previous frame already gave; a storyboard earns its length by showing change, not by illustrating every syllable.
5. Export a shoot-ready board (input: timed board → output: printable / shareable board)
   Export as a paginated PDF (four to six frames per page, with annotations legible at print size) plus a single scrolling image or deck for screen review. Number every frame, repeat the project title and date on every page, and include a one-page shot list at the end: frame number, shot description, location, and gear notes. A board that only lives as a chat image will get lost on set; a numbered PDF with a shot list gets used.

Vorschau der Startvorlage

Raw Ink Storyboard — Build Template

One beat = one frame. Fill this in before sketching.

Project

Title: {project title} | Date: {date} | Format: {16:9}

Script source: {script file / link}

Beat list

_Total estimated duration: {sum} — must match the script length._

Frame sheet (repeat per frame)

Frame {N} — {beat description}

• Sketch: [rough 16:9 ink box — horizon, gestural subject, wash for mass/shadow; words stay OUTSIDE the frame]
• CAMERA: {shot size + movement}
• ACTION: {what happens, one line}
• DIALOGUE / SOUND: {line or sound cue}
• TRANSITION: {cut / dissolve / whip pan / match cut}

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